|
books
movies
recordings
current projects
in the works
on tour
student center
biography
interviews
favorites
gallery
poetry bout
pilgrimages
press center
contact
discuss
buy
links
site index
|
Kirkus
Reviews
Review
of Indian Killer
August 1, 1996
A terrific
second novel by the talented young Native American author whose highly
praised fiction (The Lone Ranger and Tonto Fistfight
in Heaven, 1993; Reservation Blues, 1995)
has already moved him on to the short list of the country's best young
writers.
It's a rich, panoramic portrayal of contemporary Seattle that uses the
form of the mystery to tell some uncomfortable home truths about Indian-white
relations, and indeed racism in all its forms. Alexie begins by focusing
on the ironically named John Smith, who was either given up for adoption
by, or stolen away from, his teenaged Indian mother. He is raised by loving
and conscientious white "parents'' and finds himself in traumatized adulthood
"an Indian without a tribe,'' a misfit who belongs to no culture, wandering
the streets among the city's homeless, seeking an outlet for the unfocused
rage he knows he can no longer suppress. Is John Smith the "Indian killer''
who stalks and murders white men, scalping them for good measure, terrorizing
the city and provoking a rash of racially motivated violence? Alexie teases
us with that possibility right up to the last page, meanwhile populating
his exciting story with a host of keenly observed and rigorously analyzed
characters. The most memorable include Marie Polatkin, a fiery Native
American college student and activist with no use for sentimental white
liberals; Jack Wilson, an ex-cop turned popular novelist, whose exploration
(and exploitation) of a small trace of "Indian blood'' in his ancestry
infuriates his full-blooded "brothers''; and John Smith's adoptive parents,
Olivia and Daniel, whose decency and good will are portrayed with fairness
and respect. Alexie succeeds brilliantly at suggesting the time-bombticking
character of John Smith's ravaged psyche, and the novel rips along at
a breathless pace.
Both a splendidly constructed and wonderfully readable thriller--and a
haunting, challenging articulation of the plight and the pride of contemporary
Native Americans.
|